Book Reviews by James A.W. Heffernan
Russell Noyes, Wordsworth and the Art of Landscape, in English Studies 51 (1970): 365-367.
Paul Sheats, The Making of Wordsworth's Poetry; Stephen Maxfield Parrish, The Art of the Lyrical Ballads; and Alan Grob, The Philosophic Mind, in Studies in Romanticism 13 (1974): 255-267. [Review essay]
Lee M. Johnson, Wordsworth and the Sonnet, in English Studies 56 (1975): 458-60.
W.J.B. Owen and Jane Smyser, eds. The Prose Works of WilliamWordsworth, in English Studies 56 (1975): 558-561.
Thomas McFarland, Romanticism and the Forms of Ruin, in The Wordsworth Circle 13 (1982): 125-28.
D.D. Devlin, Wordsworth and the Poetry of Epitaphs and Jeffrey Baker, Time and Mind in Wordsworth's Poetry, in Studiesin Romanticism 21 (1982): 253-58.
Ronald Paulson, Representations of Revolution (1789-1820), in The Wordsworth Circle 15 (1984): 103-105.
W.J.T. Mitchell, Iconology: Image, Text, Ideology in Word & Image 2 (1986): 382-84.
Nancy Goslee, Uriel's Eye: Miltonic Stationing and Statuaryin Blake, Keats and Shelley, in Studies in Romanticism 28 (1989): 156-61.
Alexander Ross, The Imprint of the Picturesque on Nineteenth-Century British Fiction and Morton D. Paley, The Apocalyptic Sublime, in Word & Image 3 (1987): 323-25.
Wendy Steiner, Pictures of Romance: Form Against Context in Painting and Literature in Yearbook of Comparative and GeneralLiterature 37 (1988): 213-15.
Michael Fried, Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane in Comparative Literature 43 (1991): 75-77.
Robert K. Wallace, Melville & Turner: Spheres of Love and Fright, in Studies in Romanticism 33 (1994): 652-58.
William Galperin, The Return of the Visible in British Romanticism, in The Wordsworth Circle 25 (Autumn 1994): 202-05.
Peter Wagner, Reading Iconotexts: From Swift to the French Revolution. Word & Image 14 (1998): 397-98.
Eric Gidal, Poetic Exhibitions: Romantic Aesthetics and the Pleasures of theBritish Museum in European Romantic Review 14.3 (2003): 376-80.
Evelyn Joll, Martin Butlin, and Luke Herrmann, eds. The Oxford Companion to J. M. W. Turner (Oxford University Press, 2001) in Victorian Studies, 45.2 (Winter 2003): 358-360.
"Artful Realism." Contribution to Forum on Alison Byerly, "Realism, Representation and the Arts in Nineteenth-Century Literature," Australasian Victorian Studies Journal 4 (1998): 141-43.